1CD in card wallet packaging - no plastic, no booklet - just great music!

Booklets are avialable online through a unique URL on the package.' border='0'> - $8.98 new from $5.88 used from $3.81
First they went platinum...Now they're going green.

Your best loved music in its simplest form. 20 best-selling "Greatest Hist" & "Best of" collections now available in a new eco-friendly package.

1CD in card wallet packaging - no plastic, no booklet - just great music!

Booklets are avialable online through a unique URL on the package.

This rugged bag sets the new standard for diaper bags by not looking like one. It is designed after the classic style messenger bag and incorporates a hands free approach which allows you to change, feed, and entertain your child without ever having to set the bag down. Features include: A bag leash which stops the bag from swinging around to the front when you bend overa handy feature when your child is standing in front of you; a quick-access wipes window under the front panel that accommodates most brands of wipes; a refillable wipe case; two large pockets on the interior for diapers and food; two bottle pockets accessible from either the exterior or interior; a slim design changing pad (included) in a separate pocket to eliminate cross contamination; two tall skinny pockets for creams or lotions on either side of the wipes window; oversized side release buckles; stroller straps to hang the bag on the stroller handles; high quality coil zippers, heavy-duty fabrics, and durable hardware. This bag includes a large adjustable 2" strap with oversize cam buckle and a three point harness for a secure fit modeled after the classic bike messenger bag. The inside of the bag is a light colored vinyl, this serves a dual purpose; the vinyl allows for easy cleaning by just wiping it down, and the light color allows you to find things easily. Measures 12H x 13L x 4W.

8 x 6 x 1

The leading outdoor recreation TOPO! software for more then 10 years. Available in 28 individual state and multi-state packages covering the entire United States. Com

About Cotton Exchange
A North Carolina-based apparel company established more than 20 years ago, the Cotton Exchange is a key supplier of licensed apparel to major colleges and universities across the United States. Nationally recognized as a leader in custom-decorated sports and casual apparel, the company's athletic heritage is reflected in the superior quality of their fabrics, colors, construction, and custom decorations. In addition, their licenses with Minor League Baseball, the Girl Scouts, First in Flight, and others enable the company to cover the country with apparel for college bookstores, resorts, retailers, theme parks, corporations, and the military.

Yet the book is far more interesting--aesthetically and morally--than the sort of guilty-liberal tract for which it is often mistaken. On an existential level, Agee's text is a deeply felt examination of what it means to suffer, to struggle to live in spite of suffering. On a personal level, it is the painful, beautifully written portrait of one man's obsession. In its collaboration with Evans's photographs, the book is also a groundbreaking experiment in form. In the end, however, it is more than merely the sum of its parts. Let Us Now Praise Famous Men is, quite simply, a book unlike any other, simmering with anger and beauty and mystery. --Mary Park' border='0'> - $12.24 new from $5.91 used from $3.88
Just what kind of book is Let Us Now Praise Famous Men? It contains many things: poems; confessional reveries; disquisitions on the proper way to listen to Beethoven; snippets of dialogue, both real and imagined; a lengthy response to a survey from the Partisan Review; exhaustive catalogs of furniture, clothing, objects, and smells. And then there are Walker Evans's famously stark portraits of depression-era sharecroppers--photographs that both stand apart from and reinforce James Agee's words.

Assigned to do a story for Fortune magazine about sharecroppers in the Deep South, Agee and Evans spent four weeks living with a poor white tenant family, winning the Burroughs's trust and immersing themselves in a sharecropper's daily existence. Given a first draft of the resulting article, the editors at Fortune quite understandably threw up their hands--as did several other editors who subsequently worked with a later book-length manuscript. The writing was contrary. It refused to accommodate itself to the reader, and at times it positively bristled with hostility. (What other book could take Marx as the epigraph and then announce: "These words are quoted here to mislead those who will be misled by them"?) Response to the book was puzzled or unfriendly, and Let Us Now Praise Famous Men sputtered out of print only a few short years after its publication. It took the 1960s, and a vogue for social justice, to bring Agee's masterwork the audience it deserved.

Yet the book is far more interesting--aesthetically and morally--than the sort of guilty-liberal tract for which it is often mistaken. On an existential level, Agee's text is a deeply felt examination of what it means to suffer, to struggle to live in spite of suffering. On a personal level, it is the painful, beautifully written portrait of one man's obsession. In its collaboration with Evans's photographs, the book is also a groundbreaking experiment in form. In the end, however, it is more than merely the sum of its parts. Let Us Now Praise Famous Men is, quite simply, a book unlike any other, simmering with anger and beauty and mystery. --Mary Park